Spain 🇪🇸 National Selection: Benidorm Fest 2025

Introduction

Next up, we are heading over to the 'land of rabbits' and to talk about this year's Benidorm Fest (Spain). This festival has been used to select Spain's representative for Eurovision for the last four years.

For Benidorm Fest 2025, the competition had two semi-finals in which four candidates would advance to the final. Candidates and the winner for the semi-final and final rounds were determined by 50%/50% vote between a professional jury and the public. This year was kind of interesting because the folks at Corporación de Radio y Televisión Española (RTVE) decided to make televoting by phone and text free.

 

Credit: Wiwiblogs (***)

 

Triple diva power with Ruth Lorenzo, Paula Vázquez, and Inés Hernand being on hand to host this year's national selection. Overall, I thought the folks at RTVE should be proud of putting on a great national selection. IMO, the show was pretty easy to follow (even if you do not speak Spanish), the visuals were great (almost ESC-level), and the hostesses did a wonderful job keeping the show moving. Perhaps, I'm a bit biased because I understand Spanish so I could actually follow along with the non performing parts of the show.


Spain's 🇪🇸 History in Eurovision

Entry year / number of ESC participations: Spain first appeared in ESC in the 1961 edition of the contest and has participated in contest 63 times.

Number of ESC wins: 2, and both were somewhat controversial.

  • 1968 (London, UK) - Massiel's La La La. Why the controversy? Some have stated that General Franco, the dictator errr president at the time, might have bought the country's win.

  • 1969 (Madrid, Spain) - Salomé's Vivo Cantando (I live to sing). This win was interesting because there was a four-way tie for first place. The other three countries that won in 1969 were: France 🇫🇷, the Netherlands 🇳🇱, and the UK 🇬🇧. Kind of interesting that there were four winners, because only 16 countries competed in that year's contest, so basically 1/4th of the entrants won. ;)

Highest placement (aside from winning year(s)): 2nd place in 1979 (Jerusalem, Israel) with Betty Missiego's Su Canción (Your Song) and in 1995 (Dublin, Ireland) with Anabel Conde's Vuelve Conmigo (Come Back to Me).

Although Spain has participated in the contest for over half a century, they've had many ups and mostly downs in the contest. In recent years, Spain typically has finished in a crummy position. In the last 20 years, Spain has finished somewhere between 20th and 26th place about 13 times. Keep in mind that there are only 25-26 countries that participate in the grand final.

My favorite Spanish entry to date:

As a small ESC project in 2023, I ranked all off the Spanish songs and my favorites were:

  • Ruth Lorenzo's Dancing in the Rain - 2014 ESC (Copenhagen, Denmark)

  • Sergio Dalma's Bailar Pegados (Dance together) - 1991 ESC (Rome, Italy)

  • Anabel Conde's Vuelve conmigo (Come Back to Me) - 1995 ESC (Dublin, Ireland). Honestly, I though Anabel should have won this year because the song that won was more of an instrumental than an actual song, IMO.


So Who is Spain 🇪🇸 sending to Eurovision 2025?

RTVE indicated that close to 1,000 entries were received for this year's Benidorm Fest 2025, and the five musical advisors selected 16 participants for Benidorm Fest 2025. To be frank, while I did not hate any of the the 16 song selected, I thought that the overall quality could have been stronger...especially after I learned close to 1,000 songs were submitted. The selection was set up in that four songs from the two semifinals would advance to the the final round. Songs that advanced from the semi final rounds, and the winner was determined by a 50:50 vote between the public and an international jury.

The folks choose Melody's Esa Diva as the winner of this year's Benidorm Fest 2025.

 

Credit: La Voz (***)

 

Melody showing us how a diva gets it done.

 
 

General Thoughts

Spain's ranking (lefT) vs mine (right)

Spain's results courtesy of Eurovision World (***).

Going into the national selection my favorite to win was LaChispa's Hartita de Llorar (Tired of Crying). After the first semi, I had a feeling that it was going to be tough for her to win. One, her staging was not as creative as the others'. Two, her vocals were a little off. Hartita de Llorar (IMO) is a flamenco-based song where the singer has to be very careful because there is a very thin line between singing with emotion and scream singing.

Credit: El Correo (***)

Unfortunately, for LaChispa (left), she erred on the side of scream singing. It was quite clear that my favorite during the national selection was Mel Omana's (right) I'm a Queen, which was kind of surprising because I was not really feeling the song at first. I dunno why, but I became a "fan" once I saw her performance and witnessed her intriguing and engaging personality. Hopefully, she comes back in the future to represent Spain.

Besides Melody, J Kbello's V.I.P. (left) and Daniela Blasco's Uh Nana (right) were favorites to win. I'll admit that I did not pay too much attention to their songs when I first heard the songs, but something about the performances really brought the songs to light.

Credit: El Correo (***)

Based on the performances, I was 100% sure that J Kbello was going to take it. His vocals were slightly above average, the staging was pretty nice, and he is decent eye candy and has some IT factor. While Daniela Blasco has the making of potential Eurovision star, I was not really feeling her performance. One, I thought she relied way too much on her pre-recorded backing track. Seriously, there were SEVERAL parts of the song where I thought she was supposed to sing but she was not. While she is a great dancer, I found some of the transitions in her choreography to be a bit awkward. Random trivia: Daniela Blasco was backup dancer for Justin Bieber.

Pleasant surprises

Credit: El Correo (***)

While I did not think these two songs had a shot at winning Eurovision. I really feel in love with Lucas Bun's Te Escribo en El Cielo (I'll write you in Heaven; left pic) and Mawot's Raggio di Sole (Ray of Light; right pic). Actually, I was surprised that Mawot's song was selected - 1. for Benidorm Fest and 2. to advance to the final. Also, I was quite surprised that a song primarily performed in Italian made it to the final.


Controversies & Drama

Based on the comments from the ESC Twitter/X fandom, I do not recall seeing too much drama regarding aside from general criticisms about the winner. Some criticisms were legit, but most seemed to be anger or outrage that Daniela Blasco or J Kbello was not selected. The main criticisms regarding Melody's Esa Diva was that it sounds "dated". Ok, I'll agree with that; however, I think that I need a better definition of what "dated" means. For instance, a lot of people loved last year's song (Zorra [Bitch]), which had 80s synth pop stylings, but no one seemed to refer to it as "dated".

My personal “drama”

Shortly after Benidorm Fest was over, RTVE released the results of the two semifinal rounds - semifinal 1 (left) and semifinal 2 (right).

While I do not think there were shenanigans with the votes, my spidey senses did activate when I saw the jury results. I do not understand how Mel Omana came in 4th place for the jury vote in the final, but had the highest jury vote of not only her semifinal, but of BOTH semifinals. To be honest, I thought her performance improved from the semi round to the final found. However, I thought other performers improved from their semi round to the final. Here's what I think might have happened regarding the jury vote.

  • After the second semi, the jury might have seen how much the fandom was praising Daniela Blasco, J Kbello, and to some extent Melody's performances. So, going into the final round, they might have adjusted their scoring to fall more inline with public opinion.

  • Perhaps, a different set of guidelines is used for judging in the final. For instance, maybe more weight is given to how well the song would perform (or rather the song's/performance's potential in) Eurovision. This could be a reason (IMO) why Daniela Blasco's jury score (71 points) was significantly higher than Mel Omana's (61 points) in the final. Although Dnaiela Blasco and Mel Omana performed in different semi final rounds, Daniela Blasco received 77 points and Mel Omana received 90 points in their semi final rounds.

During the final, I noticed the head judge said something a little interesting. He said something to the effect that there was a lot of discussion regarding the jury vote/ranking. I thought that was weird because I'm kind of like why would there be any discussion/deliberation. From my understanding, I would assume each jury member receives a scorecard to rank the performers based on various categories. After doing that, the highest totals should win the jury vote. I think that would be the best way to prevent bias and cult-like (for lack of a better word) judging. I get the sense that (collectively) the judges wanted either J Kbello, Melody, or Daniela Blasco to represent Spain, so some votes (especially when it came to Mel Omana) might have been "adjusted" prior to the final round.

But the die is cast, and it is what it is.


How Will This Do at Eurovision?

Now, that more ESC songs have been released, it's hard to predict how Melody's Esa Diva will do.

Strengths:
✅ The song is very easy to listen to, which might help with the local fans in May who wants something general.
✅ Melody has decent vocals and can belt when needed, so it has potential for the international juries to like it for vocal ability. To be honest, there are not too many strong vocalists in this contest. Ok, so I would not consider Melody a strong vocalist, but her vocals are a bit stronger and cleaner than some of the other ESC performers so far.

Weaknesses:
❌ The staging needs to be revamped because it might be too plain compared to the other ESC performances. Since the song says "Una diva es valiente, poderosa" (a diva is fearless, powerful) multiple times, I wonder if it would be helpful to exchange ~2 of the male dancers for female dancers. Or, maybe she wants to be the only diva on stage surrounded by male dancers. ;)
❌ Also, I think the costumes need to be changed, but I guess that would be a comment regarding the staging.
❌While I do not think the song needs to be completed revamped, I do not think it would hurt to spruce it up a bit. You know, since many folks in the fandom say it’s dated.


Final Thoughts

Based on Spain's history in the contest (i.e., typically coming the middle to last spots), I think this is a fine choice. I do not think that it will win, but I do not think it will come in last place, which is a bit of a "win" for Spain. In its current state I'm thinking a 18th-23rd place finish.

Video of the National Final:

 
 

Benidorm Fest 2025 Playlist:

 

Social Media Plug:

 

Eurovision 2024 - 2nd Batch 🇳🇴🇲🇹🇪🇸🇺🇦🇮🇹🇫🇮

We are back for another season of Eurovision, and this year we are heading to Malmö, Sweden 🇸🇪. As countries begin to select their songs, I'm going to do a brief recap of what I think of the 'current' songs.

For this recap, I'm going to chat about (in no particular order): Norway 🇳🇴, Malta 🇲🇹, Spain 🇪🇸, Ukraine 🇺🇦, Italy 🇮🇹, and Finland 🇫🇮.

Like last year, I'm gonna do follow this mode of attack:

  1. Review songs in batches of 5 or 6 rather than doing a country-by-country recap.

  2. Watch the national selection final (or internal selection) once or twice.

  3. Not constantly listen to the songs until we get into semifinal week.

Reasons 1-2: For this edition, I don't have time to write 35+ posts (one per country) before getting into the actual contest. Also, what's the point of doing an in-depth or half-assed review (depending on how much free time I have) before the delegations either revamp the song and/or the performance? Reason 3: I don't want to get tired of the songs before the contest. A couple of Eurovisions ago, I noticed that I was pretty much over the songs that were released early in the national final (January/February) season by April.

Kwame's Current Rankings:

Like always, I'll use my cheezy Eurovision meter to rate the songs.

 

Alright let's get started:

Norway 🇳🇴: Gåte -- Ulveham (Wolf skin)

National Selection Performance - Melodi Grand Prix (link: ***)

Songwriters: Gunnhild Sundli, Jon Even Schärer, Magnus Børmark, Marit Jensen Lillebuen, Ronny Graff Janssen & Sveinung Eklo Sundli

Key: B; BPM: 130

 
 

Ohh. The lighting and the general aesthetic of the staging are kind of cool. Ohhh (again) a song that is in Norwegian YAY! So far, I'm really enjoying the staging. Wow! The lead singer is an AMAZING vocalist, and I could listen to her all day. Although I'm getting a little vertigo with the rotating camera work, I'm living for this. Overall, I like the song, but I wish there was another verse because it seems like she is pretty much doing vocal runs for 1-1.5 minutes. Then again, I do like a nice vocal run. ;)

Ok on to the next.

Malta 🇲🇹: Sarah Bonnici -- Loop

National Selection Performance - MESC 2024 (link: ***)

Songwriters: Kevin Lee, Leire Gotxi Angel, Michael Joe Cini, Sarah Bonnici, and Sebastian Pritchard-James

 
 

Ok, I don't like it, but I don't hate it. Actually, let me clarify. I think this song and performance has GREAT potential, but Sarah has to work on her vocals and dancing because I heard a few vocal cracks during this performance. To be perfectly honest, I'm drawn more to her backup dancers than to her, because they are on point. Also, I think Malta needs to switch up the choreography a bit because there are quite a few similarities to Chanel's (Spain 2022) and Noa Kirel's (Israel 2023) performances and costumes. While there are similarities, Sarah is not as good in terms of singing AND dancing as Chanel and Noa. Originally, this started out with 3, but I think I'm gonna have to drop it down to a 2. Unless, DRASTIC changes are made, I don't see this qualifying to the grand final especially since Malta already has a rough time qualifying with limited voting partnering countries in this contest.

Speaking of Spain...

Spain 🇪🇸: Nebulossa -- Zorra (Slut or Fox)

National Selection Performance - Benidorm Fest 2024 (***)

Songwriters: María Bas and Mark Dasousa

Key: A minor; BPM: 130

 
 

Um, I'm very conflicted about this one. Ok, for one, I'm digging the 80s sound because I'm always down for a synthesizer. Also, I love how she starts the song off by telling us she's a bitch: ya sé que soy solo una zorra (I know that I'm only a bitch). These something empowering about an older woman singing/calling herself a bitch/slut. That said, the song ends with the following: Y esa zorra que tanto temías se fue empoderando. Y ahora es una zorra de poѕtаl (And that bitch/slut that you greatly feared was powerful and is now a perfect bitch/slut). I have a feeling that this song will grow on my over the next couple of months. Mainly because the Spanish husband has been singing it multiple times a day. Performance wise, I think there is some potential; however, the lead singer's vocals are VERY weak, and she really doesn't do much in the performance. However (again), judging by the crowd singing loudly along with the song, I guess the vocals do not not matter very much. I have a feeling that this song going to be divisive because folks will either LOVE it or HATE it. Since the song has landed in Spotify's Top 50 Global Viral Tracks list, clearly there is something there that I'm missing. Maybe I'll find out what it is over the next few months.

Ukraine 🇺🇦: alyona alyona & Jerry Heil -- Teresa & Maria

National Selection Performance - Vidbir 2024 (link ***)

Songwriters: alyona alyona, Anton Chilibi, Ivan Klymenko, and Jerry Heil

Key: G minor; BPM: 114

 
 

Ok, I'm bopping my head. The beat is nice, and Jerry's vocals are so soothie. Ugh, I already know that i'm not a fan of Aloyna's rap. Isn't this the 3rd year in a row that Ukraine has sent a song with rap/spoken word? Eh, I guess if it ain't broke then you don't need to fix it. While the spoken word/rap part is not my cup of tea, I think it does elevate the song by giving it a bit of contrast with Jerry Heil's amazing vocals. Although the song doesn't 100% work for me, it definitely will qualify and probably land in the top 10. At his point in ESC history, Ukraine is definitely is a top dog in this contest.

On to another strong contender in ESC.

Italy 🇮🇹: Angelina Mango -- La Noia (The Boredom)

National Selection Performance -Sanremo 2024 (link: ***)

Songwriters: Angelia Mango, Dario Faini, and Francesca Calearo

Key: D minor; BPM: 114 (hmm, it seemed little faster)

 
 

What?!!! Italy is sending a woman to Eurovision.The last time Italy sent a woman to Eurovision was back in 2016. Ok, the song is kinda meh for me. I'm can groove to the song because of the Latin-esque vibes, but nothing is really making press the repeat button. For me, I think the Italian delegation will have to add more (e.g., a few dancers) to this performance for a little more umph. Song aside, the Sanremo's stage and lighting are beautiful. Vocally, I think Angelia is fine (although she was a bit breathy). Then again, maybe Angelia was going for the breathy effect. Even as is, this song will do pretty well in ESC because Italy is one of those countries that can do not do wrong in the contest.

Finland 🇫🇮 : Windows95man -- No Rules

National Selection Performance - Uuden Musiikin Kilpailu (link: ***)

Songwriters: Henri Piispanen, Jussi Roine, Teemu Keisteri

Key: B; BPM: 160

What the hell? It has a nice groovy beat and an uplifting message. Although my first impression is a bit negative, I can kinda see the song (not the performance) growing on me. For me, the performance is a bit too erratic. Also, I think the song is kind of mid, so they are upping the shock value with their costumes and staging. But hey, if you cannot do this sort of stuff at Eurovision, where can you do it? Question: Since Eurovision does not allow product placement in its performances, will Windows95man be able to wear his Windows 95 T-shirt on stage.

Up Next:

That's it for now, let's see what the next batch of songs will bring. Looking at the national selection final calendar, it looks like the next batch of songs will include: Germany 🇩🇪, Moldova 🇲🇩, Estonia 🇪🇪, Denmark 🇩🇰, and Lithuania 🇱🇹.

 

Eurovision 2024 playlist:

 

Social Media Plug:

 

Eurovision 2023 - 1st Batch of Songs (🇳🇴, 🇧🇪, 🇪🇸, 🇺🇦, 🇸🇮, 🇨🇿, 🇦🇱, 🇮🇪)

As I mentioned in a previous post, we are back for another season of Eurovision. As countries begin to select their songs, I’m going to do a brief recap of what I think of the ‘current’ songs. Actually, I’m a bit late with my first batch because this past weekend had another ‘super selection’ where we now have 7 new songs (in addition to the eight) in our roster.

For this recap, I’m going to chat about (in no particular order): Norway, Belgium, Spain, Ukraine, Slovenia, Czech Republic/Czechia, Albania, and Ireland.

This year, I’m going to do things a bit differently as we move through the national selection season:

  1. Review songs in batches of 7 or 8 rather than doing a country-by-country recap.

  2. These reviews primarily are going to be about the song rather than the complete package.

  3. I’m only going to watch the national selection final (or internal selection) once or twice.

  4. I’m not going to constantly listen to the songs until we get into semifinal week.

Reasons 1-2: For this edition, I don’t have time to write 35+ posts (one per country) before getting into the actual contest. Also, what’s the point of doing an in-depth or half-assed review (depending on how much free time I have and my mood) before the delegations either revamp the song and/or the performance (I guess this would fall into the Reason 3 category)? Reason 4: I don’t want to get tired of the songs before the contest. Last year, I noticed that I was pretty much over the songs that were released early in the national final (January/February) season by April.

Like always, I’ll use my cheezy Eurovision meter to describe the songs.

In last week’s post, I did mention my rankings with the ‘current’ songs.

 

NORWAY🇳🇴: ALESSANDRA — QUEEN OF KINGS

National Selection Performance – Melodi Grad Prix (***)

 
 

It’s no secret that I love a song with a nice buildup that leads to a climate. Of this first bunch, I’m gonna say that Alessandra’s song is my favorite. Right now, I think it’s the complete package – vocals, composition, lyrics, etc.

BELGIUM 🇧🇪: GUSTAPH — BECAUSE OF YOU

National Selection Performance – Eurosong (***)

 
 

I think that I’m probably one of the few folks from the fandom that likes this song. Perhaps, it’s a generational thing because this song takes me back to my days (or rather nights . . . or rather early mornings) of going to gay lounges when I first moved to NYC back in 2002. Yes, the song is pretty generic and safe, but I think Gusatph can sell it. Hopefully, the staging will become stronger by the time May rolls around.

SPAIN 🇪🇸: BLANCA PALOMA — EAEA (PRONOUNCED LONG A AH LONG A AH)

National Selection Performance – Benidorm Fest (***)

 
 

So I cheated a bit for this one because I actually watched Spain’s national final (Benidorm Fest). Thus, my opinion is a little conflicted – the song itself gets 3 hearts, but the performance would bring it to four hearts. First, Blanca Paloma is an AMAZING singer – she has it all vocal strength, a unique voice, and a great stage presence. My only problem with the song, it’s one that I cannot (or rather do not want to) listen to multiple times in a row. Actually, I take that back because I can listen to the last 10 seconds of the song multiple times in a row.

UKRAINE 🇺🇦: TVORCHI — HEART OF STEEL

National Selection Performance – Vidbir (***)

 
 

Ok, I’m going to be completely honest and say that I was shocked (in a good way) that this song won. Since Ukraine is having issues with Russia, I would have assumed that Ukraine was going to send the most “Ukrainian/Eastern European” song possible. Also, I was surprised in a good way that they selected a duo where the lead singer is Afro-Ukranian. In the more recent years of the contest, Ukraine typically sends a song in Ukrainian (or mostly in Ukrainian) with ethno-rhythms, so Heart of Steal deviates from that standard formula. Hey, Ukraine has had great success with its ethnic-rhythmic songs, so it is kind of interesting the country went in a different direction. For instance, Gaitana (Ukraine’s representative from 2012) mentioned that she received messages implying that she “didn’t represent Ukrainian soul” (Link ***). Overall, I like this song because this falls into my general R&B genre. Although I listen to many genres of music (as one can assume by me following the contest), I always default to R&B probably because I grew up on it (along with Hip Hop, Rap, and Soul).

SLOVENIA 🇸🇮: JOKER OUT — CARPE DIEM

Music video (***)

 
 

As of right, I think this song will have to grow on me. Generally speaking, I do like the overall vibe of the song, and I think the lead singer does just enough vocally. While it has only two hearts right now, I think it will move up in my Eurovision meter.

CZECH REPUBLIC/CZECHIA 🇨🇿: VESNA — MY SISTER’S CROWN

National Selection Performance – ESCZ (***)

 
 

I will say that I like the live version of this song more than the studio version, which is a good thing for the contest. In the studio version, I think the backing instrumental/music kind of drowns out the lead singer. While I have no idea what she is singing, I enjoyed the rapper break. I think it drives the point of the song home and compliments the rest of the group’s vocals.

ALBANIA 🇦🇱: ALBINA DHE FAMILJA KELMENDI – DUJE

National Final Performance – Festivali i Këngës (***)

 
 

If memory serves me correctly, I think FIK had two winners – one of the national final and one who would go to Eurovision. I guess I should not use the presence of an orchestra in my brief assessment because Eurovision no longer uses a live orchestra, but the orchestra is one of the reasons why I like songs from FIK. Although I don’t understand what they are saying, there is something that I really enjoy listening to traditional folk music from Albania. For me, in most cases (and those cases are limited), one can feel the emotion of the song without understanding the language. Ok, enough of my randomness. I think Albina has a compelling voice and is very emotive in how she sings the song. Or as some in the fandom will say: the screaming lady from Albania effect. Lol, someone actually made a Youtube video ‘Albania screaming for 4 minutes in Eurovision’. (Youtube Link: ***). Now, the backing vocalists (i.e. her family) could use a little work; however, I think they will tighten things up over the next couple of months. From the live performance, you can get a sense that a couple of her family members are not as well-seasoned with performing live as Albina.

IRELAND 🇮🇪: WILD YOUTH — WE ARE ONE

National Final Performance – The Late Show (***)

 
 

Another mildly unpopular opinion from me: Unlike most in the fandom, I kind of like the song. Is it safe? Yes; Is it generic? Yes; Does it sound like something you would hear in a shopping mall, grocery store, and/or Starbucks? Hell yes. I don’t know why, but I like the vibe, general theme, and composition of the song. I guess that I’m showing my age by liking this song. While the lyrics aren’t super complex, it has a great general message, and the song ties into the slogan of this year’s contest – United by Music.

My ‘conspiracy theory’: I think Ireland gets a bit of a bad rap for their selections because as of now the country holds the most Eurovision wins (seven and three of those were in consecutive years). Many probably will not start liking Ireland’s ESC submissions until another country (more than likely Sweden) takes ‘the country with the most wins’ title. Because of their history in the contest, I feel like certain countries (e.g. Ireland, the UK, Germany, Slovenia, Georgia, etc) have to do way more than other countries to get the same recognition. I’ve joked and said that Sweden and Italy could send someone farting into a microphone for three minutes, and they probably would make the top ten in the contest. Something that I call the U2/Bono effect. Note I did not coin this term, but I forgot where I heard it. Don’t get me wrong, Sweden and Italy typically earn their spot in the top 10. However, I think if Italy had sent We Are One, some would call it a musical masterpiece.

Here’s the Spotify playlist of the current group of songs

Social Media Plug: