Eurovision (ESC) Thursday - ESC22 Then & Now - Part 2

I figured that I would do a comparison of what I thought about the songs when they were first released and what I think about the songs now since we are about 1.5 weeks away from the big day. Keep in mind for my “now”, I’m factoring in several things – preparty performances, general personality, and of course the song.

Since there are 40 countries competing in this year’s Eurovision Song Contest, I’m breaking this topic down into two parts. Here’s the second half of the list in alphabetical order by country.

LATVIA – CITI ZENI – “EAT YOUR SALAD”

 
 

The guys from Citi Zeni pretty much have stayed the same for me throughout this crazy ESC2022 season.

LITHUANIA – MONIKA LIU – “SENTIMENTAI

 
 

I gotta say that Monika is an entire vibe, and I’m such a huge fan of her song and her personality.

MALTA – EMMA MUSCAT – “OUT OF SIGHT” “I AM WHAT I AM”

 
 

Malta did a little switcheroo on us. They released one song but decided to change its entry later in the national selection season. While that’s not against the rules, it did rub some folks the wrong way. If it is part of the rules, I cannot fault Malta for taking advantage of this loophole. Although this song isn’t a huge improvement compared to the first one originally submitted, I do like this song a bit more than the first one.

MOLDOVAZDOB ȘI ZDUB & FRAȚII ADVAHOV – “TRENULEŢUL

 
 

Looking back, I may have given Moldova too low of a score – that’s why this entry is Then and Now. While I’m not a huge fan of the revamp, this song still puts a smile on my face. Oh, I’m not too huge of a fan of the revamp because I think they made it too “rocky” at the expense of the folk sound.

MONTENEGRO – VLADANA – “BREATHE”

 
 

Throughout this season, Vladana has been delivering the fashions. Seeing what she was going to wear to the preparties was one of the reasons why I followed the preparties. Unfortunately, the vocal did not really match all of the fashions that she was delivering.

NETHERLANDS – S10 – “DE DIEPTE”

 
 

I will be honest that I pretty much skipped this song early in the season, but it really grew on me. For instance, as I type this, I’m singing “OOOOOHHHH oOOOHHHH AAAAH AAAHH something, something, something in Dutch” in my head. The unexpected is one of the things that I like about Eurovision. A song in a language besides English or Spanish that I would normally ignore has become one of my top songs for the year. In addition to a strong song, I have to give S10 so many props (or as the kids say her flowers) for overcoming so many obstacles just to get this to this point.

NORTH MACEDONIA – ANDREA – “CIRCLES”

 
 

Andrea’s song started off really strong for me, but it lost that spark over the season. Compared to other artists this year, I feel that she lacks a certain stage presence when performing this particular song. However, I am a bit conflicted because I LOVE the personality that she has displayed during interviews.

NORWAY – SUBWOOLFER – “GIVE THAT WOLF A BANANA”

 
 

The jump from three stars to five stars is primarily based on the group’s personality. For example, the group has made parodies (in a good, friendly way) of most of the other songs/videos for this year’s contest. Honestly, I look forward to seeing what randomness they are going to post on Instagram. They seem like the type of folks whom you want on your party’s or brunch’s guest list. While the group has not revealed their identities, I (as well as others in the fandom) think they are Ylvis. The duo that had that somewhat popular “Fox” song from a few years ago. A few reasons for this assumption:

  • They are both from Norway and on the same record label

  • The costumes imitating animals

  • Dancers wearing ties

  • Special choreography

  • Since Subwoolfer is from the Moon (for ESC2022 at least), they do not speak and have a “translator” do their interviews. I think this is clearly a decoy to throw off folks who might recognize their speaking voices.

POLAND – KRYSTIAN OCHMAN – “RIVER”

 
 

This song pretty much has stayed in my top 5 through this Eurovision season.

PORTUGAL – MARO – “SAUDADE SAUDADE”

 
 

I really tried, but I just could not get into this song even after multiple listens. My one-star does not mean the song is bad; it just means (for whatever reason) the song just doesn’t resonate with me.

ROMANIA – WRS – “LLÁMAME”

 
 

Boy oh boy. This song is such an earworm. Like I’m actually singing Hola, mi be-bé-bé. {HEY} Hola, mi be-bé-bé. {HEY} Llámame, llámame. I dunno why, but this song always seems to put a smile or a smirk on my face. For me, the huge jump in stars is less about the song and more about the artist, Wrs. While he seems quite eccentric, he also seems to be quite down to earth with a super chill vibe. If Eurovision gave out a Mr. Congeniality award, Wrs would be my top candidate for ESC2022. Although Wrs is going to be in a tough semifinal round, I really hope that he qualifies to the grand final.

SAN MARINO – ACHILLE LAURO – “STRIPPER”

 
 

I might have unfairly judged this one. No, I take that back. I think that I judged it fairly based on Achille’s performance during San Marino’s national selection. However, over time the artist and the song really grew on me. Also, I kind of like the mystery behind Achille. With his too cool-for-school demeanor, I’m like does he even want to be in Eurovision. I guess that’s the mystery behind him. You know, do not give them too much so they will always want more. Oh, I do think he wants to participate in Eurovision because he would not have competed in two separate national selections for the contest. After placing in the bottom half of Italy’s Sanremo festival, he decided to compete in San Marino’s national selection.

SERBIA – KONSTRAKTA – “IN CORPORE SANO”

 
 

This has been one of my favorite songs and performers throughout ESC2022 season. No one had better say anything bad about Konstrakta.

SLOVENIA – LPS – “DISKO”

 
 

Last Pizza Slice (or LPS) gained a little power with me. While I am a fan of disco music, the song never resonated with me. However, there is one part of the song when the lead singer (I think his name is Philip) and the band really slows down the groove. I don’t know why but I absolutely love that part of the song. In fact, I mainly listen to the song because of that transition. Random LOL. Doesn’t the group look like bunch of high schoolers set up a band with their music teacher?

 

Photo courtesy of RTV SLOVENIA

 

SPAIN – CHANEL – “SLOMO”

 
 

What an amazing talent. While Chanel does not have the strongest vocals of the female performers in this year’s contest, her dancing and stage presence are undeniable. If she plays her cards right and has a good team, I’m sure that we will hear a lot from her in the future.

SWEDEN – CORNELIA JAKOBS – “HOLD ME CLOSER”

 
 

I have no words that reflect how much I enjoy listening to this song.

SWITZERLAND – MARIUS BEAR – “BOYS DO CRY”

 
 

Sorry Switzerland, but I just could not get into the singer or the song.

UKRAINE – KALUSH ORCHESTRA – “STEFANIA”

 
 

This is complicated because Ukraine originally was sending Alina Pash as its representative. However, she had to withdraw after it was discovered that she illegally traveled to Crimea, which is a no no for Ukrainian citizens. Since Kalush Orchestra came in second place for the national selection, they became the Ukrainian candidates for ESC2022. I’m sorry but the song does not really work for me. Actually, I take that back. The rapper does not really work for me. Since anything related to Ukraine is clearly a touchy subject, I’ll just leave my comments there.

THE UK – SAM RYDER – “SPACE MAN”

 
 

While Poland is my favorite to win, I think Sam is going to bring the Eurovision microphone trophy back to the UK after many, Many, MANY years. My only concern with his song during my original review was with hitting those high notes live. At the time of the review, I only commented on the music video. I gotta say that he delivered those high notes at every single preparty. Also, I have seen some clips of his rehearsals for Eurovision and the staging is probably one of the best stagings that I have seen in the few years of watching Eurovision. The BBC really invested quite a bit of pounds in this artist, and I think the UK will be extremely pleased with his results. I’m going to say this right now, but you know there is some geopolitical crap going on if Sam does not finish in the top 10 overall and in the top five for the national juries vote.

My Complete Rankings

 
 






Eurovision Song Contest (ESC) – North Macedonia 🇲🇰

Andrea – Circles

 
 

Vocal:

I absolutely love Andrea’s voice. I do not know, but it has a very distinctive sound that forced me to listen to the lyrical content of the song instead of just bopping along to it. While she does not do many vocal gymnastics, I think that it’s pretty powerful.

Musical Arrangement:

I will admit that I’m a fan of faster, more upbeat songs, but the musical arrangement is pretty decent. Also, I have a feeling that the song will grow on me over the next few months leading up to Eurovision. I hope that she removes some of the backing vocals because I think it takes away from her voice. Also, the theme of the song could be applied to so many situations - dealing with someone who owes you money; an airline when your flight has been canceled at the last minute; a fast-food cashier who put the wrong order in for your food.

Staging:

Since N. Macedonia does not use live performances for its national selections, I’m not sure what to expect for Andrea’s performance in ESC. That said, I think a simple stage setting could be enough to elevate her performance, but I guess that we’ll see.

Final Thoughts:

 
 

I think this will have no problem advancing from the semi to the final due to the fact that pretty much all demographics of the ESC viewing public (especially with the national juries) can relate to this song. Since Cyprus, Montenegro, Romania, and Malta are going to be in the same semifinal heat, I think those national juries will send quite a few votes to N. Macedonia. With the exception of the Big Five (France, Germany, Italy, Spain, and the UK), we do not know who will be in the final, but I think that she will be in the mid-teens

North Macedonia in last year’s Eurovision:

Vasil – Here I Stand

  • Semi-final results: 15th place out of 16 performances (23 total points – 12 national juries and 11 public votes)

  • Final results: Since he did not place within the top ten in his semifinal heat, he did not qualify for the final.

 
 

I will be a bit honest and say that I was surprised that this song did not qualify. Since ESC2020 was canceled due to the pandemic, I think folks just were not feeling slow ballads for ESC2021. That said, I’m not sure that his ESC2020 song, which was more uptempo, would have qualified either. It seemed as if folks wanted to dance and rock out. It’s clear that Vasil is very talented vocally; however, this vocal talent did not translate on Eurovision’s stage. Then again, he was a bit off-key for a lot of his vocal runs during his semifinal performance. Also, his staging was not that great or innovative, compared to other performers in the contest. That said, I thought he was probably one of the stronger singers in the competition, and this song stays on many of my long-run playlists.