Eurovision 2024 - 2nd Batch 🇳🇴🇲🇹🇪🇸🇺🇦🇮🇹🇫🇮

We are back for another season of Eurovision, and this year we are heading to Malmö, Sweden 🇸🇪. As countries begin to select their songs, I'm going to do a brief recap of what I think of the 'current' songs.

For this recap, I'm going to chat about (in no particular order): Norway 🇳🇴, Malta 🇲🇹, Spain 🇪🇸, Ukraine 🇺🇦, Italy 🇮🇹, and Finland 🇫🇮.

Like last year, I'm gonna do follow this mode of attack:

  1. Review songs in batches of 5 or 6 rather than doing a country-by-country recap.

  2. Watch the national selection final (or internal selection) once or twice.

  3. Not constantly listen to the songs until we get into semifinal week.

Reasons 1-2: For this edition, I don't have time to write 35+ posts (one per country) before getting into the actual contest. Also, what's the point of doing an in-depth or half-assed review (depending on how much free time I have) before the delegations either revamp the song and/or the performance? Reason 3: I don't want to get tired of the songs before the contest. A couple of Eurovisions ago, I noticed that I was pretty much over the songs that were released early in the national final (January/February) season by April.

Kwame's Current Rankings:

Like always, I'll use my cheezy Eurovision meter to rate the songs.

 

Alright let's get started:

Norway 🇳🇴: Gåte -- Ulveham (Wolf skin)

National Selection Performance - Melodi Grand Prix (link: ***)

Songwriters: Gunnhild Sundli, Jon Even Schärer, Magnus Børmark, Marit Jensen Lillebuen, Ronny Graff Janssen & Sveinung Eklo Sundli

Key: B; BPM: 130

 
 

Ohh. The lighting and the general aesthetic of the staging are kind of cool. Ohhh (again) a song that is in Norwegian YAY! So far, I'm really enjoying the staging. Wow! The lead singer is an AMAZING vocalist, and I could listen to her all day. Although I'm getting a little vertigo with the rotating camera work, I'm living for this. Overall, I like the song, but I wish there was another verse because it seems like she is pretty much doing vocal runs for 1-1.5 minutes. Then again, I do like a nice vocal run. ;)

Ok on to the next.

Malta 🇲🇹: Sarah Bonnici -- Loop

National Selection Performance - MESC 2024 (link: ***)

Songwriters: Kevin Lee, Leire Gotxi Angel, Michael Joe Cini, Sarah Bonnici, and Sebastian Pritchard-James

 
 

Ok, I don't like it, but I don't hate it. Actually, let me clarify. I think this song and performance has GREAT potential, but Sarah has to work on her vocals and dancing because I heard a few vocal cracks during this performance. To be perfectly honest, I'm drawn more to her backup dancers than to her, because they are on point. Also, I think Malta needs to switch up the choreography a bit because there are quite a few similarities to Chanel's (Spain 2022) and Noa Kirel's (Israel 2023) performances and costumes. While there are similarities, Sarah is not as good in terms of singing AND dancing as Chanel and Noa. Originally, this started out with 3, but I think I'm gonna have to drop it down to a 2. Unless, DRASTIC changes are made, I don't see this qualifying to the grand final especially since Malta already has a rough time qualifying with limited voting partnering countries in this contest.

Speaking of Spain...

Spain 🇪🇸: Nebulossa -- Zorra (Slut or Fox)

National Selection Performance - Benidorm Fest 2024 (***)

Songwriters: María Bas and Mark Dasousa

Key: A minor; BPM: 130

 
 

Um, I'm very conflicted about this one. Ok, for one, I'm digging the 80s sound because I'm always down for a synthesizer. Also, I love how she starts the song off by telling us she's a bitch: ya sé que soy solo una zorra (I know that I'm only a bitch). These something empowering about an older woman singing/calling herself a bitch/slut. That said, the song ends with the following: Y esa zorra que tanto temías se fue empoderando. Y ahora es una zorra de poѕtаl (And that bitch/slut that you greatly feared was powerful and is now a perfect bitch/slut). I have a feeling that this song will grow on my over the next couple of months. Mainly because the Spanish husband has been singing it multiple times a day. Performance wise, I think there is some potential; however, the lead singer's vocals are VERY weak, and she really doesn't do much in the performance. However (again), judging by the crowd singing loudly along with the song, I guess the vocals do not not matter very much. I have a feeling that this song going to be divisive because folks will either LOVE it or HATE it. Since the song has landed in Spotify's Top 50 Global Viral Tracks list, clearly there is something there that I'm missing. Maybe I'll find out what it is over the next few months.

Ukraine 🇺🇦: alyona alyona & Jerry Heil -- Teresa & Maria

National Selection Performance - Vidbir 2024 (link ***)

Songwriters: alyona alyona, Anton Chilibi, Ivan Klymenko, and Jerry Heil

Key: G minor; BPM: 114

 
 

Ok, I'm bopping my head. The beat is nice, and Jerry's vocals are so soothie. Ugh, I already know that i'm not a fan of Aloyna's rap. Isn't this the 3rd year in a row that Ukraine has sent a song with rap/spoken word? Eh, I guess if it ain't broke then you don't need to fix it. While the spoken word/rap part is not my cup of tea, I think it does elevate the song by giving it a bit of contrast with Jerry Heil's amazing vocals. Although the song doesn't 100% work for me, it definitely will qualify and probably land in the top 10. At his point in ESC history, Ukraine is definitely is a top dog in this contest.

On to another strong contender in ESC.

Italy 🇮🇹: Angelina Mango -- La Noia (The Boredom)

National Selection Performance -Sanremo 2024 (link: ***)

Songwriters: Angelia Mango, Dario Faini, and Francesca Calearo

Key: D minor; BPM: 114 (hmm, it seemed little faster)

 
 

What?!!! Italy is sending a woman to Eurovision.The last time Italy sent a woman to Eurovision was back in 2016. Ok, the song is kinda meh for me. I'm can groove to the song because of the Latin-esque vibes, but nothing is really making press the repeat button. For me, I think the Italian delegation will have to add more (e.g., a few dancers) to this performance for a little more umph. Song aside, the Sanremo's stage and lighting are beautiful. Vocally, I think Angelia is fine (although she was a bit breathy). Then again, maybe Angelia was going for the breathy effect. Even as is, this song will do pretty well in ESC because Italy is one of those countries that can do not do wrong in the contest.

Finland 🇫🇮 : Windows95man -- No Rules

National Selection Performance - Uuden Musiikin Kilpailu (link: ***)

Songwriters: Henri Piispanen, Jussi Roine, Teemu Keisteri

Key: B; BPM: 160

What the hell? It has a nice groovy beat and an uplifting message. Although my first impression is a bit negative, I can kinda see the song (not the performance) growing on me. For me, the performance is a bit too erratic. Also, I think the song is kind of mid, so they are upping the shock value with their costumes and staging. But hey, if you cannot do this sort of stuff at Eurovision, where can you do it? Question: Since Eurovision does not allow product placement in its performances, will Windows95man be able to wear his Windows 95 T-shirt on stage.

Up Next:

That's it for now, let's see what the next batch of songs will bring. Looking at the national selection final calendar, it looks like the next batch of songs will include: Germany 🇩🇪, Moldova 🇲🇩, Estonia 🇪🇪, Denmark 🇩🇰, and Lithuania 🇱🇹.

 

Eurovision 2024 playlist:

 

Social Media Plug:

 

Eurovision 2024 -1st Batch 🇫🇷🇦🇱🇨🇿🇸🇮🇮🇪🇱🇺

We are back for another season of Eurovision, and this year we are heading to Malmö, Sweden 🇸🇪. As countries begin to select their songs, I'm going to do a brief recap of what I think of the 'current' songs.

For this recap, I'm going to chat about (in no particular order): France 🇫🇷, Czechia 🇨🇿, Albania 🇦🇱, Slovenia 🇸🇮, Ireland 🇮🇪, and Luxembourg 🇱🇺 (where have they been?)

Like last year, I'm gonna do follow this mode of attack:

  1. Review songs in batches of 5 or 6 rather than doing a country-by-country recap.

  2. Watch the national selection final (or internal selection) once or twice.

  3. Not constantly listen to the songs until we get into semifinal week.

Reasons 1-2: For this edition, I don't have time to write 35+ posts (one per country) before getting into the actual contest. Also, what's the point of doing an in-depth or half-assed review (depending on how much free time I have) before the delegations either revamp the song and/or the performance? Reason 3: I don't want to get tired of the songs before the contest. A couple of Eurovisions ago, I noticed that I was pretty much over the songs that were released early in the national final (January/February) season by April.

Kwame's Current Rankings:

Like always, I'll use my cheezy Eurovision meter to rate the songs.

 

Alright let's get started:

France 🇫🇷: Slimane — Mon Amour (My Love)

Internal Selection – Performance (link: ***)

 
 

Ok, so this is not a live performance of the song (in the technical sense), but word on the street says the video is a live version of song. I know that we are only six songs into the season, but I have a feeling this one is going to stay in my top 10 (maybe even in my top 5 or 3). There is no question that Slimane has an AMAZING voice. But for me, it’s the rawness of his voice that pulls me into the song/performance. This definitely is song that you feel rather than listen to… or at least it is for me. I think the rawness in and power of his voice really drives the emotions of the song home. In fact, I have to listen to this 2-3 times in a row before moving to the next one. Actually, I kind of wish that France released the song later in the season, so it would have a greater impact. That said, France definitely set a high bar with the first song of the ESC2024 season. Actually, since Slimane is a popular artist in France, lemme check out some of his other music.

Ok on to the next.

Albania 🇦🇱: Besa — Zemrën N’dorë (Heart in Hand)

National Selection Performance – Festivali i Këngës (link: ***)

 
 

A few seconds into the performance, she seemed really nervous, which affected her vocal. Ok, we have a little bit of a rap/spoken word bridge with an uptempo beat. I dunno. During my first listen, this “rap” seemed a bit out of place, but I think it can work here. Also, it kind of elevates the typical ballad by adding a something somewhat unique. She might have to consider another outfit because she almost tripped on her dress, BUT she recovered very well. I wonder if she is going to have more folks on the stage for the actual Eurovision performance. Overall, great job from one of my favorite counties in the contest. I guess it’s one of my favorite countries, because they always send someone (male or female) who screams . . . and I do love a controlled (or even an uncontrolled) scream. 😉 In fact someone made a Youtube video about, you guessed it, Albania Screaming for 4 Minutes in Eurovision.

 

Czechia 🇨🇿: AIKO — Pedestal

National Selection Performance – Selectiva Nationala (link: ***)

 
 

I think the sound quality of venue where the national selection was held is a bit raggedy AF. Unfortunately, this snafu does not really highlight AIKO vocals. Ok, girlfriend needs to work on her breath control or stop jumping around so much. Wait, is she saying “f*ck myself on a pedestal”? I might have to look up these lyrics. Oh, nevermind, she said I need to learn to put myself on a pedestal. Hey, and she’s right. We all need to put ourselves on pedestals. ;) In the performance, she is doing too d*mn much for no d*mn reason. Also, why does the song ends so abruptly? It looks like the performance is about 2:30, so she has 30 seconds to add some things . . . or take some things out like that random off-key scream. In its current state, the song is a bit of an erratic mess, which necessarily is not a bad thing. BUT they have some time to work out the rough edges and elevate the staging a bit. Actually, since it gives garage rock band (IMO), perhaps, they don’t need to elevate the staging that much. The sound reminds of my Jack and coke / CBGB’s NYC days. Perhaps, I should have had a PBR or a Miller High Life while watching the video to enjoy the song more.

Slovenia 🇸🇮: Raiven — Veronika

Internal Selection Music Video - (link ***)

 
 

Awww shucks. We don’t have a live vocal for this one, so my 3 hearts probably would have been 4 hearts. I’m kind of speechless . . . in a good way. Why? I don’t know exactly what to think about this one, but I definitely can work with it. While the song isn’t mind blowing (IMO), I was captivated by the visual of the video so much that I wasn’t paying attention to the song that much. I think this will be a case where the staging will have to carry the song through the semi finals.

Ireland 🇮🇪: Bambie Thug — Doomsday Blue

National Selection Performance — Eurosong 2024 (link: ***)

 
 

What in Elvira Mistress of Darkness hell is this? I’m sorry, but this really isn’t my cup of tea. I just . . . don’t . . . get . . . it. Is she gonna sing at some point, or are we doing spoken word for three minutes? Then again, I guess one really doesn’t really have time to sing when you are going for something a bit counterculture . . . I think. While the song clearly is not for me, I will give Bambie Thug an A+ for the creativity and uniqueness in this video. Then again, clearly I’m missing something because most folks in the fandom really likes this song and performance. I will give Ireland props for thinking outside of the box for this one. Since they have not qualified for the final since Eurovision 2018, maybe Bambie Thug and her alternative performance will get Ireland to the final.

Luxembourg 🇱🇺: Tali — Fighter

National Selection Performance – Luxembourg Song Contest (link: ***)

First, welcome back to the contest, Luxembourg. Luxembourg last time in the contest was during Eurovision 1994. Overall, I think Fighter is a mid-level song because of the decent vocals, staging, and dancing. While it’s nothing that we haven’t seen in the contest, I think it’s moderate enough to qualify (coupled with Luxembourg returning to the contest…well, maybe). Also, Tali has plenty of time to clean up the vocals and some of the choreography. I noticed that she had some breath control issues with the singing and dancing especially with the uptempo french, french, french, french part. Ok, I looked the lyrics for the really fast part: J’avoue, j’avoue je sais pas. J’veux tout et rien à la fois. J’finirai complètement folle. Et voilà (I admit, I admit that I don’t know. I want everything and nothing at the same time. I’ll end up completely crazy. And that’s it). HA! That sounds like me when I visit the the kitchen for late-night snacking.

Up Next:

That’s it for now, let’s see what the next batch of songs will bring. Looking at the national selection final calendar, it looks like the next batch will include: Ukraine 🇺🇦, Norway 🇳🇴, Malta 🇲🇹, Spain 🇪🇸, Israel 🇮🇱.

 

Eurovision 2024 playlist:

Social Media Plug:

 

kosjrphd (deactivated until Easter)