Eurovision (ESC) Thursday - ESC22 Then & Now - Part 2

I figured that I would do a comparison of what I thought about the songs when they were first released and what I think about the songs now since we are about 1.5 weeks away from the big day. Keep in mind for my “now”, I’m factoring in several things – preparty performances, general personality, and of course the song.

Since there are 40 countries competing in this year’s Eurovision Song Contest, I’m breaking this topic down into two parts. Here’s the second half of the list in alphabetical order by country.

LATVIA – CITI ZENI – “EAT YOUR SALAD”

 
 

The guys from Citi Zeni pretty much have stayed the same for me throughout this crazy ESC2022 season.

LITHUANIA – MONIKA LIU – “SENTIMENTAI

 
 

I gotta say that Monika is an entire vibe, and I’m such a huge fan of her song and her personality.

MALTA – EMMA MUSCAT – “OUT OF SIGHT” “I AM WHAT I AM”

 
 

Malta did a little switcheroo on us. They released one song but decided to change its entry later in the national selection season. While that’s not against the rules, it did rub some folks the wrong way. If it is part of the rules, I cannot fault Malta for taking advantage of this loophole. Although this song isn’t a huge improvement compared to the first one originally submitted, I do like this song a bit more than the first one.

MOLDOVAZDOB ȘI ZDUB & FRAȚII ADVAHOV – “TRENULEŢUL

 
 

Looking back, I may have given Moldova too low of a score – that’s why this entry is Then and Now. While I’m not a huge fan of the revamp, this song still puts a smile on my face. Oh, I’m not too huge of a fan of the revamp because I think they made it too “rocky” at the expense of the folk sound.

MONTENEGRO – VLADANA – “BREATHE”

 
 

Throughout this season, Vladana has been delivering the fashions. Seeing what she was going to wear to the preparties was one of the reasons why I followed the preparties. Unfortunately, the vocal did not really match all of the fashions that she was delivering.

NETHERLANDS – S10 – “DE DIEPTE”

 
 

I will be honest that I pretty much skipped this song early in the season, but it really grew on me. For instance, as I type this, I’m singing “OOOOOHHHH oOOOHHHH AAAAH AAAHH something, something, something in Dutch” in my head. The unexpected is one of the things that I like about Eurovision. A song in a language besides English or Spanish that I would normally ignore has become one of my top songs for the year. In addition to a strong song, I have to give S10 so many props (or as the kids say her flowers) for overcoming so many obstacles just to get this to this point.

NORTH MACEDONIA – ANDREA – “CIRCLES”

 
 

Andrea’s song started off really strong for me, but it lost that spark over the season. Compared to other artists this year, I feel that she lacks a certain stage presence when performing this particular song. However, I am a bit conflicted because I LOVE the personality that she has displayed during interviews.

NORWAY – SUBWOOLFER – “GIVE THAT WOLF A BANANA”

 
 

The jump from three stars to five stars is primarily based on the group’s personality. For example, the group has made parodies (in a good, friendly way) of most of the other songs/videos for this year’s contest. Honestly, I look forward to seeing what randomness they are going to post on Instagram. They seem like the type of folks whom you want on your party’s or brunch’s guest list. While the group has not revealed their identities, I (as well as others in the fandom) think they are Ylvis. The duo that had that somewhat popular “Fox” song from a few years ago. A few reasons for this assumption:

  • They are both from Norway and on the same record label

  • The costumes imitating animals

  • Dancers wearing ties

  • Special choreography

  • Since Subwoolfer is from the Moon (for ESC2022 at least), they do not speak and have a “translator” do their interviews. I think this is clearly a decoy to throw off folks who might recognize their speaking voices.

POLAND – KRYSTIAN OCHMAN – “RIVER”

 
 

This song pretty much has stayed in my top 5 through this Eurovision season.

PORTUGAL – MARO – “SAUDADE SAUDADE”

 
 

I really tried, but I just could not get into this song even after multiple listens. My one-star does not mean the song is bad; it just means (for whatever reason) the song just doesn’t resonate with me.

ROMANIA – WRS – “LLÁMAME”

 
 

Boy oh boy. This song is such an earworm. Like I’m actually singing Hola, mi be-bé-bé. {HEY} Hola, mi be-bé-bé. {HEY} Llámame, llámame. I dunno why, but this song always seems to put a smile or a smirk on my face. For me, the huge jump in stars is less about the song and more about the artist, Wrs. While he seems quite eccentric, he also seems to be quite down to earth with a super chill vibe. If Eurovision gave out a Mr. Congeniality award, Wrs would be my top candidate for ESC2022. Although Wrs is going to be in a tough semifinal round, I really hope that he qualifies to the grand final.

SAN MARINO – ACHILLE LAURO – “STRIPPER”

 
 

I might have unfairly judged this one. No, I take that back. I think that I judged it fairly based on Achille’s performance during San Marino’s national selection. However, over time the artist and the song really grew on me. Also, I kind of like the mystery behind Achille. With his too cool-for-school demeanor, I’m like does he even want to be in Eurovision. I guess that’s the mystery behind him. You know, do not give them too much so they will always want more. Oh, I do think he wants to participate in Eurovision because he would not have competed in two separate national selections for the contest. After placing in the bottom half of Italy’s Sanremo festival, he decided to compete in San Marino’s national selection.

SERBIA – KONSTRAKTA – “IN CORPORE SANO”

 
 

This has been one of my favorite songs and performers throughout ESC2022 season. No one had better say anything bad about Konstrakta.

SLOVENIA – LPS – “DISKO”

 
 

Last Pizza Slice (or LPS) gained a little power with me. While I am a fan of disco music, the song never resonated with me. However, there is one part of the song when the lead singer (I think his name is Philip) and the band really slows down the groove. I don’t know why but I absolutely love that part of the song. In fact, I mainly listen to the song because of that transition. Random LOL. Doesn’t the group look like bunch of high schoolers set up a band with their music teacher?

 

Photo courtesy of RTV SLOVENIA

 

SPAIN – CHANEL – “SLOMO”

 
 

What an amazing talent. While Chanel does not have the strongest vocals of the female performers in this year’s contest, her dancing and stage presence are undeniable. If she plays her cards right and has a good team, I’m sure that we will hear a lot from her in the future.

SWEDEN – CORNELIA JAKOBS – “HOLD ME CLOSER”

 
 

I have no words that reflect how much I enjoy listening to this song.

SWITZERLAND – MARIUS BEAR – “BOYS DO CRY”

 
 

Sorry Switzerland, but I just could not get into the singer or the song.

UKRAINE – KALUSH ORCHESTRA – “STEFANIA”

 
 

This is complicated because Ukraine originally was sending Alina Pash as its representative. However, she had to withdraw after it was discovered that she illegally traveled to Crimea, which is a no no for Ukrainian citizens. Since Kalush Orchestra came in second place for the national selection, they became the Ukrainian candidates for ESC2022. I’m sorry but the song does not really work for me. Actually, I take that back. The rapper does not really work for me. Since anything related to Ukraine is clearly a touchy subject, I’ll just leave my comments there.

THE UK – SAM RYDER – “SPACE MAN”

 
 

While Poland is my favorite to win, I think Sam is going to bring the Eurovision microphone trophy back to the UK after many, Many, MANY years. My only concern with his song during my original review was with hitting those high notes live. At the time of the review, I only commented on the music video. I gotta say that he delivered those high notes at every single preparty. Also, I have seen some clips of his rehearsals for Eurovision and the staging is probably one of the best stagings that I have seen in the few years of watching Eurovision. The BBC really invested quite a bit of pounds in this artist, and I think the UK will be extremely pleased with his results. I’m going to say this right now, but you know there is some geopolitical crap going on if Sam does not finish in the top 10 overall and in the top five for the national juries vote.

My Complete Rankings

 
 






Eurovision (ESC) Thursday - ESC22 Then & Now - Part 1

I figured that I would do a comparison of what I thought about the songs when they were first released and what I think about the songs now since we are about 1.5 weeks away from the big day. Keep in mind for my “now”, I’m factoring in several things – preparty performances, general personality, and of course the song.

Since there are 40 countries competing in this year’s Eurovision Song Contest, I’m breaking this topic down into two parts. Here’s the first half of the list in alphabetical order by country.

ALBANIA – RONELA – “SEKRET”

 
 

OMG, she pretty much embodies everything that makes Eurovision great. I would even say that is the most well-rounded artist in the contest. If there was some sort of Miss Congeniality award for Eurovision, she would be my top choice.

ARMENIA – ROSA LINN – “SNAP”

 
 

AUSTRALIA – SHELDON RILEY – “NOT THE SAME”

 
 

I’m not really sure why, but Sheldon lost power with me over the past couple of months.

AUSTRIA – LUM!X & PIA MARIA – “HALO”

 
 

Kind of like the song, but I was kind of surprised that Pia Maria’s live vocals were not as strong as they were on the studio version (I guess this happens frequently). My three stars are pretty much based on the song along because it’s one of those songs that will get you dancing or bopping your head at least.

AZERBAIJAN – NADIR RUSTAMLI – “FADE TO BLACK”

 
 

I will admit that I originally thought this song was a snoozefest. Like I said earlier, I think I was all Eurovisioned out by the time Azerbaijan released this song. That said, the song has grown on me and Nadir seems like a fun individual to hang with. In some ways, he reminds me a little bit of someone I used to date . . . even down to his “gingerness”

BELGIUM – JÉRÉMIE MAKIESE – “MISS YOU”

 
 

I think he is one of the strongest male vocalists in the contest, and I am a fan of the strong R&B vibe of the song. That said, I do not know much about him. He hasn’t been as active as other performers so it’s tough to get a sense of who he is. I wonder if it’s an English language thing for him. For instance, I’m not sure if he feels comfortable enough with the English language to put himself out there in these ESC streets. I fear that this might hurt him in the contest. But then again, most ESC viewers do not really pay attention to the contest until semi and final week.

BULGARIA – INTELLIGENT MUSIC PROJECT

 
 

I have to admit, I think that I let the public opinion influence my original thoughts about the song. While the song is a bit dated, I do not think it’s THAT bad of a song. Actually, the song has made it onto a couple of my running playlists.

CROATIA – MIA DIMŠIĆ – “GUILTY PLEASURE”

 
 

Eh, my opinion has not really changed too much.

CYPRUS – ANDROMACHE – “ELA”

 
 

Another case of loving the song but not knowing much about the artist. It seems like she is not too invested in ESC2022, which is fine. I assume that some artists would rather focus on themselves, their songs, their staging, etc during the weeks leading to Eurovision. She had a couple of interviews that gave me a bit of an “oh that’s weird” vibe. In an interview, she was asked about Greece’s ESC2022 song, and she said that she hadn’t heard it. As most know, Greece and Cyprus are pretty much cousins in this contest because they tend to give each other high points. Also, she (like most folks from Cyprus) is Greek. I dunno, but it seems strange that she (at this point) has not heard the Greek song. In another interview, she was asked if she’d be willing to do a collaboration with Chanel (Spain). This question was asked because a lot of folks from Spain like her song. And she responded that she did not know who Chanel is. I’m not mad that she does not know Chanel. BUT, for ESC2022, if you were to ask someone to name five artists from this batch, most folks would say (in no particular order) – Chanel (Spain), Ronela (Albania), Mahmmod & BLANCO (Italy), Ochman (Poland), and Sam Ryder (the UK). So it’s kind of strange that she responded in that manner. Then again, maybe she meant more of an I do not know her personally as opposed to not knowing who she is.

CZECH REPUBLIC – WE ARE DOMI – “LIGHTS OFF”

 
 

Going into the season this was one of my top songs. After seeing the group’s performances in the preparties, I was surprised by the weak vocals compared to the studio version and the Czech Republic’s national selection. Ok, the five preparties’ venues had a lot of issues with sound and technical difficulties. That said, other performers did fine with the same difficulties.

DENMARK – REDDI – “THE SHOW”

 
 

ESTONIA – STEFAN – “HOPE”

 
 

I still really like the song and the performer. While this song was released early in the national selection season, it pretty much has stayed in my top ten since it was released.

FINLAND – THE RASMUS – “JEZEBEL”

 
 

Right now, the song just really does not do much for me, but maybe that will change once I see the band on stage. I will say that out of all of the national finals, this band had the best LED staging.

FRANCE – ALVAN & AHEZ – “FULENN”

 
 

After viewing France’s national selection, this group was one of my tops. However, the group’s performances during the preparties leading up to ESC2022 week have been less than stellar. In my opinion, Alvan (one artist) and Ahez (a female trio) have not been really cohesive in some of their live performances. For instance, it sounds like they are singing two to three different songs even though they are now one group. While I like the song, I feel that the women in Ahez do not have a commanding stage presence, which is a huge contrast while looking at Alvan jumping all around the stage.

GERMANY – MALIK HARRIS – “ROCKSTARS”

 
 

This one has lost a bit of power for me. The other day, I was thinking about the songs from the Big 5 (France, Germany, Italy, Spain, and the UK) and completely forgot about Germany’s entry. Like, I actually had to think very hard to remember the song and the artist. While the other members of the Big 5 put up strong entries this year, I think Germany is the weakest of the group. Since Germany is part of the Big 5, Malik will automatically qualify for the final; however, I do not see a strong finish for him. At the end of the day, I’m not sure that Rockstars is a good song for Eurovision, but I have a feeling that it will make it into some of my chillin’ at home playlists.

GREECE – AMANDA TENFJORD – “DIE TOGETHER”

 
 

I have no words that reflect how much I enjoy listening to this song.

ICELAND – SYSTUR – “MEÐ HÆKKANDI SÓL”

 
 

This trio definitely has grown one me over the past couple of months. While it might be a long shot, I really hope that they will qualify for the final. I wonder if they plan to include some English in this song as a way to connect to a larger audience.

IRELAND – BROOKE SCULLION – “THAT’S RICH”

 
 

Originally, this song was not my cup of tea (actually, it’s still not my cup of tea). However, I am quite impressed that Brooke’s vocals (and performances) have drastically improved over the past couple of months. Depending on her staging, I think the song might have a shot at qualifying. LOL moment for Brooke (maybe now it’s an LOL moment). When traveling from Ireland to Spain for one of the preparties, she lost her passport and had trouble entering the country. There’s video of officials in Spain’s border control office viewing her videos as a form of identifying her.

ISRAEL – MICHAEL BEN DAVID – “I.M”

 
 

Actually, I think my rating now would be a 2.5, but I guess that I gotta round up. The song just does not work for me as much as it did when was first released. However, word on the ESC streets has been saying that his rehearsal staging is really good and elevates his song and performance.

My Complete Rankings

 
 






Eurovision Song Contest (ESC) – 30 Days of ESC

Preface:

Over the past 30 days, I have been doing this 30 Day of Eurovision challenge. Folks who follow me on Instagram probably have seen this challenge on my IG stories. For this challenge, participants had to make selections based on the daily topic.

Before I get into the nitty-gritty of the challenge:

Now that all of the songs have been selected and the Eurovision preparties, here are my top 10 (the rankings for all 40 songs are a the end of this entry. The preparties were an opportunity for the artists to perform their songs at various concerts. I believe there were five preparty concerts, which were held in Barcelona, London, Amsterdam, Tel Aviv, and Madrid.

 
 

Day 1. Best Central Europe: Poland – Ochman’s River (Youtube vid: ***). Originally, this went to the Czech Republic, but the WE ARE DOMI’s lead signer vocals have been pretty off during the preperties.

Day 2. Best Nordic: Sweden  – Cornelia Jakobs‘ Hold Me Closer  (Youtube vid: ***). At first, this song bugged the hell out of me (I think because of her vocal fry style of singing), but it has grown on me and is inching its way into my top 10.

Day 3. Best Pop Song: Spain  – Chanel’s Slo Mo  (Youtube vid: ***). I’m keeping my fingers crossed, but I think Chanel and her booty hypnotic will give Spain its best placement in a very long time. Random trivia: the main writer of the song originally wanted J Lo to record it, but she declined.

Day 4. Best Non-European: I guess this one is between Israel and Australia, but I gave this spot to Israel’s  Michael Ben David’s I.M  (Youtube vid: ***). That said, I’m not a huge fan of either song.

Day 5. Best Western Europe: Spain  – Chanel’s Slo Mo (Youtube vid: ***).

Day 6. Best Ballad: Poland  – Ochman’s River (Youtube vid: ***).

Day 7. Best Male Vocal: Poland  – Ochman’s River (Youtube vid: ***). Since I’ve mentioned Poland a few times, my best male vocal runner-ups are Sam Ryder’s Space Man (the UK; Youtube vid: ***) and Jérémie Makiese’s Miss You (Belgium; Youtube vid: ***).

Day 8. Best Female Vocal: Greece  – Amanda Tenfjord’s Die Together  (Youtube vid: ***). Until recently, it was Montenegro’s  Breathe by Vladana; however, Vladana has had a couple of disappointing performances, and I’m not sure if she can really sing live.

Day 9. Best Caucus: Armenia  – Rosa Linn’s Snap  (Youtube vid: ***). While the music video reminds me of the movie, Up, this song a steadily crept into my top 15. I’m not a huge fan of the other songs from the Caucus countries (Azerbaijan and Georgia).

Day 10. Best National Song: N/A, because I did not watch all of the national finals.

Day 11. Best National Final: See Day 10.

Day 12. Your Last Place: Switzerland – Marius Bear’s Boys Do Cry  (Youtube vid: ***). I’m sorry, but this song does nothing for me. Actually, I take that back a bit. While the song is not horrible, it’s just not as good (IMO) as the other 39 songs. Of course, this all could change depending on how he performs the song during Eurovision week.

Day 13. Worst Vocal (man some of these categories are kind of mean): Georgia  – Circus Mircus’s Lock Me In  (Youtube vid: ***). Thinking about this, I don’t think the band has the worst vocal, but the song is not really my cup of tea.

Day 14. Best Lyrics: Sweden  – Cornelia Jakobs‘ Hold Me Closer  (Youtube vid: ***). As someone who has been in a relationship that he should not have been in, this song really hit home.

Day 15. Potential Shock Non Qualifier: Ukraine  – Kalush Orchestra’s Stefania  (Youtube vid: ***). While the song is not horrible, I think this group will receive a lot of sympathy votes . . . and I’ll leave it at that.

Day 16. Potential Shock Qualifier: Iceland  – Systur’s Með Hækkandi Sól  (Youtube vid: ***) While I love this song, the fact that it is a very slow ballad and will be sung in Icelandic may not resonate with ESC audiences. That said, I hope I’m wrong because I would love to see this group in the final. If they make it to the final, I have a feeling that they will be in the bottom five.

Day 17. Potential Dead Last: Bulgaria  – Intelligent Music Project’s Intention  (Youtube vid: ***). I gave the group this position because it seems as if 90% of the ESC fandom hates this song. To be perfectly honest, I do not think the song is THAT bad because it has made it onto a couple of my running playlists. However, I will agree with folks saying that the song is a bit generic and dated. Being that this song was the first released for the new ESC2022 season, I feel that a lot of folks wanted an amazing song to kick off Eurovision’s national section season.

Day 18. Potential Last in Final: Skipped because how can I pick who is going to be last in the final unless I know who is going to be in the final.

Day 19Best Big Five: the UK  – Sam Ryder’s Space Man  (Youtube vid: ***). I will say that the Big Five really brought their A-game to Eurovision this year. Actually, I take that back. The Big Five with the exception of Germany brought their A-game; Germany brought their C minus-game. Remember the Big Five (France, Germany, Italy, Spain, and the UK) are the countries that contribute the most financially to the contest.

Day 20. Potential Winner: Poland  – Ochman’s River  (Youtube vid: ***). Krystian’s vocals have been on point in the various pre Eurovision parties. While I think he is the best singer technically, I feel that he might have some issues connecting with the audience during his live performance.

Day 21. Biggest Disappointment: Georgia (again)  – Circus Mircus’ Lock Me In (Youtube vid: ***). While the song is not a huge disappointment, I think they were doing too much without really bringing anything to the table. A few reasons: A) This seems to be a group that tried to be secretive in order to gain more interest, but I think it’s backfiring; B) Releasing a “video” with a black screen as a sign of protest against Russia’s invasion of Ukraine (kind of weird because the group that’s representing Ukraine released a video for its song); and C) The video that they released was pretty lame.

Day 22. Biggest Surprise: Ukraine  – Alina Pash’s Shadows of Forgotten Ancestors  (Youtube vid: ***). The surprise was her withdrawal from the contest because she illegally traveled to Crimea a few years back, which is a no-no for Ukrainian citizens. To be perfectly honest, I think this song would have performed very well in the contest even without sympathy votes due to Russia’s invasion of Ukraine. Since Alina had to withdraw, Kalush Orchestra took her spot because the group came in second place in Ukraine’s national final. Random thought: I wonder if the folks from Kalush Orchestra told some Ukrainian official about Alina’s travels to Crimea. 

Day 23. Opinion about the Logo: Um, I do not really have an opinion. Actually, I do have a couple of opinions. 1. Why is the sponsor’s branding just as large as the contest’s logo? 2. Did they get the inspiration for the contest’s logo from Efendi’s (Azerbaijan) staging for Mata Hari from last year’s contest?

Day 24. Best Eurovision Country: Based on historical data, I will have to go with Ireland because they have the most wins with seven victories. In fact, Ireland won the contest three years in a row back in the 90s. Not to be a complete hater, I think most of those wins can be attributed to the old rule that countries had to sing in one of their official languages, and Ireland always submitted songs in English. Not saying that a song sung in English will give a country a win, but I think songs in English and French definitely have a bit of an advantage (at least in the old days).

Day 25. Most Staging Potential: The UK  – Sam Ryder’s Space Man (Youtube vid: ***). Word on the ESC streets says that there is a massive staging plan for Ryder’s performance. In fact, his staging will have to travel by ship from the UK to continental Europe and by cargo truck to Turin, Italy.

Day 26. Best Native Language: Serbia  – Konstrakta’s In Corpore Sano  (Youtube vid: ***). You have Serbian and Latin in Eurovision. What more can you ask for? Well, maybe Azerbaijan sending a song in Azerbaijani ;). Word on the street is this will be the first time an ESC song will contain a verse in Latin.

Day 27: Best Band: Moldova  – Zdob şi Zdub & Advahov Brothers’ Trenuleţul  (Youtube vid: ***). Just because Moldova always brings something zany and fun. Also, I like the folk/polka/rock fusion aspect of the musical arrangement even if the lead singer sings the song like he’s calling BINGO numbers. There’s even a viral dance for the song (Youtube vid: ***).

Day 28. Worst National Final: N/A because I did not watch any of the finals.

Day 29. Best Solo Artist: Albania  – Ronela’s Sekret (Youtube vid: ***). This is a tough one because I did not want to make this selection purely on singing ability. That said, I gave this spot to Ronela because she seems to have it all as a performer – a decent vocal, a catchy/pop-friendly song, a great stage presence, a nice personality, and that “je ne sais quoi”. If Eurovision had a Miss/Mr. Congeniality award, I would be shocked if she did not win it.

Day 30. Your Winner: At this point, I guess that it is pretty clear that I hope this will go Poland – Ochman’s River.

My ranking for all 40 songs: